


Photography by Mikel
A lot of my contacts over on Flickr have been asking about my lack of activity lately. Well..not a lot but enough to warrant a blog post. As some of you may know, I'm in the Air Force. Been in about 8 years now and hold the rank of SSgt. To promote to the next grade, I have to take what's called a WAPS test, which stands for Weighted Airman Promotion System. Its a point based system which derives points from how long you've been in the service, how long you've worn the current rank, the scores of your annual performance reports, and medals you have, as well as finally, a test based on Air Force and Career Field knowledge. The whole process is intended to pick the most worthy candidates to promote to the next grade. Last year, of all the eligible SSgts in the Air Force, 18% or about 7,000 out of about 40,000 was actually promoted. I, wasn't one of them.
The snow is really slowing me down these days. I mean, you can only take so many photos of dirty snow. Up here in eastern Washington, it is covering EVERYTHING. SO with that, I start looking around the house for things of interest. You'd be surprised what you can you find, especially when you try to approach it with a fresh pair of eyes. Part of the fun with macro photography is that it can turn ordinary things into items of interest, simply because of the fresh perspective that is put on it. Here are some things I found around my house while waiting for the snow to recede:

I thought I knew all the basics of photography and even some of the more advanced some. However, it appears I know jack about Depth-of-Field. Here we have an aperture of 5.6 and the DoF is incredibly shallow. Now most individuals know the smaller the aperture you use, the shallower the DoF. More often than not, this is what most photographers want to separate their subject from its background. But what if you want everything in clear focus? How high can you push the aperture before the shutter speeds require tripods or diffraction becomes an issue?
There are online DoF calculators available, and they are actually quite useful for not just macro work, but portraits as well, especially when you want the whole subject in focus. It also keeps you from having to do all the horrible math associated with it. This also shows why so many studio portrait photographers use f/8 and landscape photographers use f/16 and sometimes higher. This in addition to the fact that most lenses are sharpest between 8 and 11 gives good reason to use those apertures when wanting everything in clear focus.

I took this with the Nikon 70-300mm VR, and incredible lens for a very reasonable price. It is certainly not the acclaimed 70-200mm VR 2.8, and will set you back for a little under $500, but if given the choice, I'd buy it again in a heartbeat. Sharp to about 200mm, with 9 curved aperture blades to produce incredibly beautiful bokeh, I've used this lens from sports, to portraits, and even nature shots.
This is my first winter in the Northwest, and while it is not brutal by any stretch, we have had our fair share of snow. The snow provides for some fun, but a serious challenge when taking photos. Due to the massive amounts of snow abound, a cameras sensor will interpret the white as a extremely bright sun, using a higher shutter speed than necessary. This will more than likely leave your photos underexposed as well as being a dull gray. There are a few ways to combat this. For one, you can set your EV compensation to -1, or basically to underexpose the image by a full stop. This should give you subjects that are well exposed, and bright white snow instead of a dull gray. It may leave the snow overexposed in the scene, so if snow detail is what you want, be sure to keep that in mind.
Another way is, and this depends on what kind of camera you are using, is to use spot metering, or where your camera meters only off a very small portion of your target subject. This works well when you are focusing on a specific subject in a snowy scene, like your kids for example. The final option is just good 'ol Photoshop. There are many ways to adjust in Photoshop, from simply adjust the brightness and contrast, to using curves, and levels. Find a method that works for you, as all can give you very similar results. Personally, I prefer curves as in Lightroom you can select an individual area of your image and adjust it that way (same can be done in Photoshop, but it's a two step process instead of one step).

How was 2007 for you? For me, even though I've had a long history with cameras, and used an SLR when I was younger, this is the first year of actually owning my own DSLR and actively seeking to understand the concepts of photography. In the span of almost year, I've seen my talents completely transform. I can only imagine where I will be in 2009. It's difficult for me to pick my favorite of 2007. Obviously my newer images are better than my older ones. It's important not to discount the fact that these newer works are based on the knowledge garnered from my older images.
File this one under rumor mill and wild speculation. According to a wildfire post on Dpreview, the D40X is apparently at the end of its shelf life and there is a possible replacement for the camera coming soon. While change is good, this flurry of camera releases by Nikon for its entry level cameras is not following the 18 month to 2 year product cycle normally employed. Nikon certainly shocked (and disappointed) the community when it released the D40X; a camera that seemed to play more into the marketing hype of the mega-pixel myth than an actual camera upgrade. Consumers who purchased the D40X appeared to basically be paying $50 for each additional megapixel and a very minor list of additional features, as well as the downgrade of the max shutter sync speed (non FP) from.
No it's not a Hasselblad; not even close. This honor goes to a camera called "Daguerreotype", which is also an early form of photography in which the image is imposed upon mirror-polished silver surface. This early system didn't create negatives, so copies of images was not possible in the traditional sense.
Here is a quick and dirty 4 minute video from Video Jug that quickly goes over four basic, but important rules of photography. Keeping it simple, rule of thirds, balance, framing, and placement are all covered, though some are explained a bit differently than expected. Their explanation of framing left me raising an eyebrow. Nonetheless, still a good view for the budding photographer.